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[Upload] Wayne Shorter
22 Jahre 4 Monate her - 21 Jahre 5 Monate her #3385
von Kater Carlo
Carlo
[Upload] Wayne Shorter wurde erstellt von Kater Carlo
Ein paar Sachen von Tenor- und Sopransaxophonist Wayne Shorter
, "Mr Weird" genannt, der seine Karriere Ende der 50er Jahre bei Art Blakeys Jazz Messengers begann, bevor er ab 1964 bei Miles Davis' zweitem Quintett mitwirkte. Später leitete er mit Miles' Band den Jazzrock ein, dann gründete er mit Joe Zawinul die Gruppe Weather Report.
www.allmusic.com/cg/amg.dll?p=am ... uh6j8h71r0
Alle Platten wurden für Blue Note aufgenommen. Während die ersten zwei im typischen Coltrane oder Miles Quartett/Quintett-Stil sind, vollziehen die beiden nächsten den Wandel zur Jazz-Rock Fusion, wobei sie aber nicht so innovativ wie etwa Miles' "In a silent way" sind.
- Night Dreamer (1964)
allmusic.com/cg/amg.dll?p=amg&sql=Artabqj6yojaa
- Speak no evil (1964)
allmusic.com/cg/amg.dll?p=amg&sql=Adxfexqygldae
- Supernova (1969)
allmusic.com/cg/amg.dll?p=amg&sql=Axeb8b5n4bsqh
- Odyssey of Iska (1970)
allmusic.com/cg/amg.dll?p=amg&sql=A8fr67uw070jf
- Best of the Blue Note Years (nur die Stücke die nicht schon auf den obigen CDs sind)
allmusic.com/cg/amg.dll?p=amg&sql=A4n881vf8zzxa
www.allmusic.com/cg/amg.dll?p=am ... uh6j8h71r0
Alle Platten wurden für Blue Note aufgenommen. Während die ersten zwei im typischen Coltrane oder Miles Quartett/Quintett-Stil sind, vollziehen die beiden nächsten den Wandel zur Jazz-Rock Fusion, wobei sie aber nicht so innovativ wie etwa Miles' "In a silent way" sind.
- Night Dreamer (1964)
allmusic.com/cg/amg.dll?p=amg&sql=Artabqj6yojaa
- Speak no evil (1964)
allmusic.com/cg/amg.dll?p=amg&sql=Adxfexqygldae
- Supernova (1969)
allmusic.com/cg/amg.dll?p=amg&sql=Axeb8b5n4bsqh
- Odyssey of Iska (1970)
allmusic.com/cg/amg.dll?p=amg&sql=A8fr67uw070jf
- Best of the Blue Note Years (nur die Stücke die nicht schon auf den obigen CDs sind)
allmusic.com/cg/amg.dll?p=amg&sql=A4n881vf8zzxa
Carlo
Bitte Anmelden um der Konversation beizutreten.
22 Jahre 4 Monate her - 22 Jahre 4 Monate her #3392
von satva
satva
Meine MP3-files werden mit Lame --alt-preset extreme erstellt und ich höre mit KRELL
Viel Spaß beim Hören guter Musik!
Diese E-Mail-Adresse ist vor Spambots geschützt! Zur Anzeige muss JavaScript eingeschaltet sein!
satva antwortete auf [Upload] Wayne Shorter
hi carlo,
ich kann dir night dreamer, speak no evil und JUJU bieten. da du die ersten beiden schon hast, beibt noch JUJU.
ich gebe dir bescheid wenn die cd auf myplay liegt.
hätte auch gerne den zugang.
gruß satva
[Edit Kater Carlo: JUJU gibt's hier: www.fkgm.de/Freundeskreis/showthread.php?s=&threadid=912 Danke Satva
]
ich kann dir night dreamer, speak no evil und JUJU bieten. da du die ersten beiden schon hast, beibt noch JUJU.
ich gebe dir bescheid wenn die cd auf myplay liegt.
hätte auch gerne den zugang.
gruß satva
[Edit Kater Carlo: JUJU gibt's hier: www.fkgm.de/Freundeskreis/showthread.php?s=&threadid=912 Danke Satva
] satva
Meine MP3-files werden mit Lame --alt-preset extreme erstellt und ich höre mit KRELL
Viel Spaß beim Hören guter Musik!
Diese E-Mail-Adresse ist vor Spambots geschützt! Zur Anzeige muss JavaScript eingeschaltet sein!
Bitte Anmelden um der Konversation beizutreten.
22 Jahre 1 Monat her #7558
von Kater Carlo
Carlo
Kater Carlo antwortete auf [Upload] Wayne Shorter
Shizophrenia
(1967)
allmusic.com/cg/amg.dll?p=amg&sql=A709sa9wgy230
Eine Session mit ausgefeilten Kompositionen von Wayne Shorter.
Wayne Shorter, tenor sax
James Spaulding, alto sax
Curtis Fuller, trombone
Herbie Hancock, piano
Ron Carter, bass
Joe Chambers, drums
256kb/s. Ab morgen auf Myplay. PNs können schon geschickt werden
allmusic.com/cg/amg.dll?p=amg&sql=A709sa9wgy230
Eine Session mit ausgefeilten Kompositionen von Wayne Shorter.
Wayne Shorter, tenor sax
James Spaulding, alto sax
Curtis Fuller, trombone
Herbie Hancock, piano
Ron Carter, bass
Joe Chambers, drums
256kb/s. Ab morgen auf Myplay. PNs können schon geschickt werden
Carlo
Bitte Anmelden um der Konversation beizutreten.
21 Jahre 7 Monate her #12649
von raskolnikov
Noise annoys, music can be amusing and silence is a rhythm too
alle menschen sind ausländer - fast überall
raskolnikov antwortete auf [Upload] Wayne Shorter
hoi boardies,
wayne shorter : native dancer/1974
http://us.f1.yahoofs.com/catzmusic/bb107/amgmusics_f34493ma6lq.jpg?cm_____DPzp866gE
Sep 12, 1974/1990 cd re-issue
Some jazz purists would say that Wayne Shorter went downhill in the 1970s, when he passionately embraced electric jazz-fusion and co-led the innovative Weather Report with Joe Zawinul. But remember: Those are the same people who also claim that Miles Davis' stunning Bitches Brew has no value and that Chick Corea's visionary Return to Forever was a complete waste -- so it's hard to take their opinions seriously. The fact is that the 1970s were a highly productive time for Shorter, and it wasn't until the 1980s that the tenor and soprano saxophonist really declined creatively. One of Shorter's best-selling albums from the 1970s was Native Dancer, a Brazilian-oriented jazz-fusion masterpiece that boasts Herbie Hancock on acoustic piano and electric keyboards, and employs such Brazilian talent as singer Milton Nascimento (a superstar in Brazil) and percussionist Airto Moreira. Everything on this melodic, consistently lyrical effort is a jewel, and that includes Hancock's "Joanna's Theme" as well as pieces by Nascimento ("From the Lonely Afternoons," "Ponta de Areia," "Tarde," "Lilia," and "Miracle of the Fishes") and by Shorter himself ("Ana Maria," "Beauty and the Beast," and "Diana"). Reissued on CD by Columbia in 1990, Native Dancer is clearly among Shorter's most essential albums. Alex Henderson (quelle: AMG)
oder pn
mfg
raskolnikov aka dirk
wayne shorter : native dancer/1974
http://us.f1.yahoofs.com/catzmusic/bb107/amgmusics_f34493ma6lq.jpg?cm_____DPzp866gE
Sep 12, 1974/1990 cd re-issue
Some jazz purists would say that Wayne Shorter went downhill in the 1970s, when he passionately embraced electric jazz-fusion and co-led the innovative Weather Report with Joe Zawinul. But remember: Those are the same people who also claim that Miles Davis' stunning Bitches Brew has no value and that Chick Corea's visionary Return to Forever was a complete waste -- so it's hard to take their opinions seriously. The fact is that the 1970s were a highly productive time for Shorter, and it wasn't until the 1980s that the tenor and soprano saxophonist really declined creatively. One of Shorter's best-selling albums from the 1970s was Native Dancer, a Brazilian-oriented jazz-fusion masterpiece that boasts Herbie Hancock on acoustic piano and electric keyboards, and employs such Brazilian talent as singer Milton Nascimento (a superstar in Brazil) and percussionist Airto Moreira. Everything on this melodic, consistently lyrical effort is a jewel, and that includes Hancock's "Joanna's Theme" as well as pieces by Nascimento ("From the Lonely Afternoons," "Ponta de Areia," "Tarde," "Lilia," and "Miracle of the Fishes") and by Shorter himself ("Ana Maria," "Beauty and the Beast," and "Diana"). Reissued on CD by Columbia in 1990, Native Dancer is clearly among Shorter's most essential albums. Alex Henderson (quelle: AMG)
mfg
raskolnikov aka dirk
Noise annoys, music can be amusing and silence is a rhythm too
alle menschen sind ausländer - fast überall
Bitte Anmelden um der Konversation beizutreten.
21 Jahre 5 Monate her #13755
von Kater Carlo
Bevor Wayne Shorter bei Blue Note anheuerte, nahm er einige Sessions für das kurzlebige Label Veejay auf. Das erste Album "Introducing ..." war noch etwas farblos, doch auf den beiden darauffolgenden "Second Genesis" und "Wayning moments" konnte sich sein Kompositions- und Improvisationstalent voll entfalten. Die Aufnahmen stehen auf dem gleichen Niveau wie die späteren Blue Note Scheiben.
Introducing Wayne Shorter (1959)
www.allmusic.com/cg/amg.dll?p=am ... b8b5t4bsqg
Second Genesis (1960)
www.allmusic.com/cg/amg.dll?p=am ... aqoa8ayijb
Wayning Moments (1962)
www.allmusic.com/cg/amg.dll?p=am ... f1zfh7eh6k
Die Aufnahmen gibt es auch mit zahlreichen alternate takes und Aufnahmen von Lee Morgan in der Mosaic 6CD Box The Complete Vee Jay Lee Morgan-Wayne Shorter Sessions, über die All about Jazz diese Kritik schrieb (Auszug):
"Whereas Lee Morgan had already documented his work on that previously mentioned series of Blue Note sides; tenor man Wayne Shorter’s recording career would begin with work at Vee Jay. He participated in Kelly Great, a 1959 Vee Jay date for pianist Wynton Kelly. Then, in the span of two days in November of 1959, Shorter would cut his own record for Vee Jay and make his first recorded appearance with Art Blakey’s Jazz Messengers (the Blue Note set Africaine ). Including a nod to Shorter’s present employer and a taste of Miles Davis’ current backing group, the saxophonist shares the front line with Morgan, with Wynton Kelly, Paul Chambers, and Jimmy Cobb in support. All the tunes are by Shorter and even at this early stage his writing genius is apparent. The longest track, “Down in the Depths,” also makes clear what a distinctive and individualistic improviser Shorter evidently was.
Following more Blakey sessions for Blue Note, including The Big Beat, Night in Tunisia, and Meet You At the Jazz Corner of the World, Wayne would cut his next Vee Jay date in October of 1960, although it would not be released for over a decade. Done in Chicago, Second Genesis finds Shorter fronting a quartet with Blakey, Cedar Walton, and Bob Cranshaw. Aside from three standards, the program again consists of originals and Shorter’s tenor voice continues to speak volumes in a way that marks him as one of the true innovators.
With a constant schedule of recording and touring activity with Art Blakey and the beginning of a soon to be budding relationship with Blue Note, it’s surprising that Shorter would have time to return to Chicago to cut one last album for Vee Jay. Returning the favor of guesting on Freddie Hubbard’s Ready For Freddie, Wayne would feature Hubbard on the front line for Wayning Moments, which also includes the rather odd rhythm team of Eddie Higgins, Jymie Merritt, and Marshall Thompson. This seems to be Shorter’s least interesting of the three Vee Jay sides, possibly because of the smaller number of Wayne originals and the aforementioned backing ensemble. Still, many fine moments can be found."
www.allaboutjazz.com/reviews/r0401_142.htm
www.mosaicrecords.com/DisplaySel ... ionID=1008
www.allmusic.com/cg/amg.dll?p=am ... 77gjlr36ia
:slsk: [fkgm]Kater Carlo --> Wayne Shorter
Carlo
Kater Carlo antwortete auf [Upload] Wayne Shorter
Bevor Wayne Shorter bei Blue Note anheuerte, nahm er einige Sessions für das kurzlebige Label Veejay auf. Das erste Album "Introducing ..." war noch etwas farblos, doch auf den beiden darauffolgenden "Second Genesis" und "Wayning moments" konnte sich sein Kompositions- und Improvisationstalent voll entfalten. Die Aufnahmen stehen auf dem gleichen Niveau wie die späteren Blue Note Scheiben.
Introducing Wayne Shorter (1959)
www.allmusic.com/cg/amg.dll?p=am ... b8b5t4bsqg
Second Genesis (1960)
www.allmusic.com/cg/amg.dll?p=am ... aqoa8ayijb
Wayning Moments (1962)
www.allmusic.com/cg/amg.dll?p=am ... f1zfh7eh6k
Die Aufnahmen gibt es auch mit zahlreichen alternate takes und Aufnahmen von Lee Morgan in der Mosaic 6CD Box The Complete Vee Jay Lee Morgan-Wayne Shorter Sessions, über die All about Jazz diese Kritik schrieb (Auszug):
"Whereas Lee Morgan had already documented his work on that previously mentioned series of Blue Note sides; tenor man Wayne Shorter’s recording career would begin with work at Vee Jay. He participated in Kelly Great, a 1959 Vee Jay date for pianist Wynton Kelly. Then, in the span of two days in November of 1959, Shorter would cut his own record for Vee Jay and make his first recorded appearance with Art Blakey’s Jazz Messengers (the Blue Note set Africaine ). Including a nod to Shorter’s present employer and a taste of Miles Davis’ current backing group, the saxophonist shares the front line with Morgan, with Wynton Kelly, Paul Chambers, and Jimmy Cobb in support. All the tunes are by Shorter and even at this early stage his writing genius is apparent. The longest track, “Down in the Depths,” also makes clear what a distinctive and individualistic improviser Shorter evidently was.
Following more Blakey sessions for Blue Note, including The Big Beat, Night in Tunisia, and Meet You At the Jazz Corner of the World, Wayne would cut his next Vee Jay date in October of 1960, although it would not be released for over a decade. Done in Chicago, Second Genesis finds Shorter fronting a quartet with Blakey, Cedar Walton, and Bob Cranshaw. Aside from three standards, the program again consists of originals and Shorter’s tenor voice continues to speak volumes in a way that marks him as one of the true innovators.
With a constant schedule of recording and touring activity with Art Blakey and the beginning of a soon to be budding relationship with Blue Note, it’s surprising that Shorter would have time to return to Chicago to cut one last album for Vee Jay. Returning the favor of guesting on Freddie Hubbard’s Ready For Freddie, Wayne would feature Hubbard on the front line for Wayning Moments, which also includes the rather odd rhythm team of Eddie Higgins, Jymie Merritt, and Marshall Thompson. This seems to be Shorter’s least interesting of the three Vee Jay sides, possibly because of the smaller number of Wayne originals and the aforementioned backing ensemble. Still, many fine moments can be found."
www.allaboutjazz.com/reviews/r0401_142.htm
www.mosaicrecords.com/DisplaySel ... ionID=1008
www.allmusic.com/cg/amg.dll?p=am ... 77gjlr36ia
:slsk: [fkgm]Kater Carlo --> Wayne Shorter
Carlo
Bitte Anmelden um der Konversation beizutreten.
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OskarMaria lebt und arbeitet in Frankfurt - hier mit Sohnemann. Wenn freie Zeit fürs Internet bleibt, dann gibt es hier neue Beiträge. Lieblingszitat: "Von den Dreien, Staat, Regierung und Ich - bin ich der stärkste. Das merkt euch!" (Ret Marut aka B. Traven im Ziegelbrenner)
Nachtrag: OskarMaria das ist eine kleine Verbeugung vor dem beinahe vergessenen Schriftsteller Oskar Maria Graf. In Zeiten der Bücherverbrennungen wurden seine Werke von den Nazis verschont, ja sogar teilweise empfohlen. "Verbrennt mich!" schrieb er 1933 in der Wiener Arbeiterzeitung, "nach meinem ganzen Leben und nach meinem ganzen Schreiben habe ich das Recht, zu verlangen, dass meine Bücher der reinen Flamme des Scheiterhaufens überantwortet werden und nicht in die blutigen Hände und die verdorbenen Hirne der braunen Mordbanden gelangen!" Schließlich floh er in die USA - dort lebte er in bescheidenen Verhältnissen. Deutschland wollte den unbequemen Mann nach dem Krieg nicht wieder haben. Er starb 1967 in New York.
Literaturempfehlung: Wir sind Gefangene - Autobiograhie 1927.