johnny cash

hoi boardies,

neu

johnny cash: american IV: the man comes around


Album "American IV: The Man Comes Around" einen illustren Reigen von Hochkarätern um sich. Nick Cave, Don Henley and Fiona Apple mischen mit, wenn The Man in Black unter Federführung von Produzentenguru Rick Rubin Songs von Künstlern wie den Beatles, Depeche Mode, Hank Williams oder Nine Inch Nails covert.


Nick Cave wirkt bei dem Hank Williams-Cover "I'm So Lonesome I Could Cry" mit, während Fiona Apple beim Remake von Simon & Garfunkels "Bridge Over Troubled Water" zu hören ist. Don Henley covert sich quasi selbst in einer Neuauflage des Eagles-Songs "Desperado".

Mit "Give My Love To Rose" und "Tear Stained Letter" greift Johnny Cash auch älteres Material aus seiner eigenen Feder neu auf. Spannend dürfte es werden, zu hören, was der Meister aus Depeche Modes "Personal Jesus" und "Hurt" von den Nine Inch Nails heraus holt.

In den USA soll der Longplayer am 5. November die Regale der Händler zieren. Wann es hierzulande zu haben sein wird, ist derzeit noch unklar.

Hier das Tracklisting
"The Man Comes Around" (Cash)
"Hurt" (Nine Inch Nails)
"Give My Love to Rose" (Cash)
"Bridge Over Troubled Water" (Simon & Garfunkel)
"I Hung My Head" (Sting)
"The First Time Ever I Saw Your Face" (Ewan MacColl)
"Personal Jesus" (Depeche Mode)
"In My Life" (The Beatles)
"Sam Hall" (traditional)
"Danny Boy" (traditional)
"Desperado" (The Eagles)
"I'm So Lonesome I Could Cry" (Hank Williams)
"The Streets of Laredo" (traditional)
"Tear Stained Letter" (Cash)
"We'll Meet Again" (Ink Spots)

kriegt raskos genehmigung


oder pn

mfg
raskolnikov aka dirk

hoi boardies,

raskos tribute

the dylan/cash sessions
bootleg
spank cd 106

covers--> www.angband.org/~grant/images/dylancashfront.jpg www.angband.org/~grant/images/dylancashback.jpg

Source / Venue:
CBS studios, Nashville, TN February 17-18, 1969
Ryman Auditorium, Nashville, TN May 1, 1969
Plus: Nashville Skyline quadraphonic mixes

The camaraderie of this session and the good humored atmosphere are rarely equalled anywhere. It doesn't sound like two of the greatest poets and voices of the 20th century on this CD; it sounds like a couple of midly drunken factory workers after a particularly long shift, staring into the face of a weekend with razor stubble, a bottle of whiskey, and a dollar or two. And that's why it's good.

mfg
raskolnikov aka dirk